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Ryley walker kikagaku moyo bandcamp8/5/2023 ![]() Their music is a conversation-sometimes delicate and tender other times explosive, but always human and always changing. To Kikagaku Moyo a song is like a breath of wind through the leaves or a fish jumping from the water. Their delicate use of melody and soft vocal harmonies contrast seamlessly with fuzzed out sitar riffs and feedback. Kikagaku Moyo love to connect with people through performing, whether they are playing in a barn deep in a Swedish forest, on a desolate Mediterranean beach, or beside a sleepy river at 2014’s Levitation Fest they bring out the magic in everyone present. They have toured Australia, the United States, Europe, Australia and Japan extensively. Since 2013 the band has released three full lengths, an EP, and several singles. Deep Fried Grandeur by Ryley Walker And Kikagaku Moyo, released 05 February 2021 1. Ryu Kurosawa had been studying Sitar in India, upon returning home he found the perfect outlet for his practice. They met Kotsuguy (Bass) while he was recording noise from vending machines and Akira (Guitar) through their university. Go Kurosawa (drums, Vocals) and Tomo Katsurada (Guitar, Vocals) formed the band in 2012 as a free artist’s collective. Kikagaku Moyo is the musical union between five free spirits. Sign up for the 10 to Hear newsletter here. But it’s just as fun to picture the Can, Blue Cheer, and Grateful Dead songs that probably reached their headphones and car stereos at a similar time in Tokyo and Rockford, Illinois, years and years ago, setting the crash course into motion.Ĭatch up every Saturday with 10 of our best-reviewed albums of the week. It’s nice enough to imagine yourself at the scene of two touring-calloused psych bands from opposite sides of the globe colliding on a third continent and immediately having a long, advanced conversation in a shared language. You savor the brief chemistry, and then part ways, remembering it fondly.Ībove all, Deep Fried Grandeur is just a joy to visualize. Deep Fried Grandeur has a certain shelf life, but then again, the spirit of its origins was all about bright, short-lived sparks. The shifts are gradual, never on a dime, and the ride doesn’t toy with your memory by returning to melodic motifs after long, digressive stretches. It’s more like hopping in their backseat while they cruise through some hilly countryside roads that nobody knows intimately well, but aren’t brutally tough to navigate. What Deep Fried Grandeur doesn’t have is that back-pocket compass of the best semi-rehearsed, semi-improvised jams, the kind where you have no idea where it’s headed but still give yourself over to it. It’s still a faithful document, and it sounds better trimmed and toned. ![]() The pile of sounds from these nine musicians were touched up for the album by Cooper Crain of Bitchin Bajas and CAVE, and comparing the final version to a bootleg of the actual performance reveals modest but shrewd edits: a guitar effect is enhanced here, a transitory section shortened there. Ryu Kurosawa’s scorpion-like sitar pierces the quiet, but soon it takes off sprinting into a wide-open field, flipping into a major-key. In the first half of part two, “Shrinks the Day,” the scenery changes dramatically around a hoedown pulse. With only one afternoon to rehearse, the two bands hit the stage and hit it off.ĭeep Fried Grandeur, split into two halves for vinyl purposes but really a product of about five independent movements, is an instrumental, krautrock-ish noodle journey that spans the spectrum from tactile texture-crafting to supercharged drives. Walker’s Deafman Glance and Kikagaku Moyo’s Masana Temples, both released earlier that year, shared similar cycles of gentle dis- and re-orientation, a sense of constantly interrupted traction, like getting lost in a huge cavernous art museum and passing through vastly different soft-lit rooms while repeatedly finding and losing the exit route. The organizers had asked Walker to choose another artist for a one-time jam, and his pick was no head-scratcher. The album, a live collaboration between Walker’s four-piece band and the Japanese psych-prog quintet Kikagaku Moyo, documents their set from the music festival Le Guess Who? in Utrecht, the Netherlands, in 2018 the album’s title is how they appeared on the festival’s bill. Either way, Walker’s having the last laugh with Deep Fried Grandeur, which was released on Husky Pants after multiple labels passed on it the record recently hit No.
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